Kurt Wenner has been astonishing passers-by for many years now - but if anything his latest designs are his most stunning yet.
The street artist extraordinaire, a former NASA employee, uses a clever technique that makes his creations appear 3D.
And his most recent works, ranging Spider-man in Japan to gateway to the Caribbean in New York and a rainforest pathway on London's Embankment, are brought together in a new book.
Bringing pavements around the world to life, Kurt, 52, a former NASA employee, uses a clever technique in his street drawings that make them look perfectly 3D.
When viewed from the correct angle, street-goers standing on top of them look like they are floating in thin air and solid concrete appear as gaping chasms in a colourful illusion.
Kurt, 52, from Michigan, started up in 1982 using pastels and paints to decorate the streets of Rome.
He has since using complex calculations from his old job - creating conceptual drawings of extraterrestrial landscapes at NASA - to bring floors and walls to life.
Using his unique knowledge inventor Kurt fused the concept of murals like Michelangelo's Sistine Chapel paintings - frescoes that give extra depth - with 16th century Italian street art.

Kurt said: 'The book explores the birth Britain's street artists in the 1800s, and going back to its roots.
'Pavement art like this began in Rome in the late renaissance period, so it's been around for 100s of years.'
An image from Curtatone, Italy, in 1987 shows how he created amazing mirror images of real models on the concrete below them - the first ever interactive 3D street painting.

He added: 'The pieces look real because they are calculated to be perfectly and mathematically accurate. It's exactly how they would look if the objects in my paintings were actually there.
'I use a piece of string to measure fixed points between the viewing location and the painting. This lets me calculate exactly how the perspective should be.
'It takes me around five to seven days to complete an average-sized piece.
His book, Asphalt Renaissance is published by Sterling Innovation.

source: dailymail
No comments:
Post a Comment